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Effortlessly recreate Nick's iconic tones from Job For A Cowboy, Cephalic Carnage and Havok.

$139.00 USD
$139.00 USD
$139.00 USD

SALE ENDS IN

ShinzBass

You can have progressive metal's most enviable virtual bass at your fingertips, effortlessly recreating Nick's iconic tones with Job For A Cowboy, Cephalic Carnage and Havok.

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Whether you're writing rock, pop, funk, a progressive opus, or getting down with straight up death metal, ShinzBass is your solution.

Tones

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Yin (DI): The raw sound of the instrument, captured directly via high end, studio-grade recording hardware. Process as you would any other bass - using your favourite plugins, pedals or amps. This allows ultimate flexibility; mix the bass on your own terms.

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Ram’s Head: A tone recreating Jason Suecof’s exact processing chain from Job For A Cowboy’s ‘Moon Healer’ album.
Think of this as a hot-rodded DI, expertly molded by a legendary producer to perfectly fit the gap between drums and guitars.

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Yang: A classic ‘grit’ tone which can easily be pushed into distortion, based on Nick’s work with Havok. Ideal for heavier music.

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Features

Warwick Dolphin: Exceptionally realistic virtual model of a Warwick Dolphin 5-string bass guitar for Kontakt Player.

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The tuning range

The tuning range of ShinzBass is C0 up to A4. It’s been tuned perfectly across the entire note range, so it can act as a tuning reference whenever you’re recording guitars.

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The DOOM button

Intentionally shrinks the round robin, giving you the most powerful, direct samples for reduced realism and greater consistency - for those times where variance is undesirable.

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Humanize

Infuse your performance with natural variation using the Humanize control, adding subtle differences for a more organic feel.

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The Position control is a convenient way to select where on the virtual fretboard you’d like the performance to take place.

For absolute control, our Force String articulation can select exactly which string each note is performed on, giving you the ability to tonally match your guitar riffs 1 to 1.

Use the Configuration menu to rebind keyswitches, set the tuning of the bass, and adjust the pitch bend range for ultimate customization to your personal workflow.

Native Instruments - Kontakt

As an official Native Instruments partner, ShinzBass runs in the industry standard free Kontakt Player, meaning you don’t have to worry about any additional hidden costs. Kontakt is the most widely used and widely compatible sampler in the industry, meaning there is a robust team of professionals available to make it work perfectly for you.

truBass Technology

Experience unparalleled realism with our industry-leading truBass engine, delivering the authentic feel and dynamic response of a real bass guitar.

Multi-Sampling

Every fret position across the entire instrument has been multi-sampled, so you can program the performance exactly as a real bassist would play it.

truSlides

Our truSlide algorithm can slide from any note on the virtual fretboard, to any other note, at whatever speed or velocity curve you desire, to perfectly match the slides of your real guitars.

Intelligent Alternate Picking

Our proprietary tempo-synced alternate picking algorithm has a robust round robin that never sounds like samples are repeating, no matter the speed of your music.

Packet fresh’ tone

ShinzBass was sampled with brand new steel strings, meaning that you always get that lovely ‘packet fresh’ tone, with no wear down. The average professional bass recording session often costs several times the price of ShinzBass in string packets alone.

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Hear it in action

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Testimonials

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Jack Gardiner

“For someone that can’t really play bass but wants realistic, modern sounding low end in their tracks without having to do much tweaking, this plugin is a game changer. The sheer variety of articulations within ShinzBass means I can live out my 80’s style wannabe fusion dreams all in the Midi Grid!”

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Stephen Taranto

“I originally treated writing bass parts as an afterthought and found it to be a chore - With ShinzBass, composing bass parts is now genuinely the most exciting instrument to write. Super intuitive and easy to use!”

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Connor Kaminski

“SubMission Audio are leading the charge with their virtual basses. I have used their bass libraries on everything from demos, all the way to official music releases. If you need consistent, world-class, completely accurate bass tones for your music, look no further.”

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Ian Waye

Soreption

“I have been using Submission Audio products since 2019 in my writing process and they have always delivered an absolutely devastating low end to my mixes. ShinzBass takes everything that is good about the previous plugins and tailors specifically to making technical death metal. It is exactly what I needed to finish writing tracks for the next Soreption album!”

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Hedras Ramos

“I was already in love with SubMission basses, but with ShinzBass they went next level! The tone, especially, is incredibly inspiring - Fits perfectly with my music.”

Compare basses

Let's take a dive into the ecosystem and find out just which virtual bass is right for you.

Learn more
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System Requirements

Things to know

Frequently Asked Questions

Customer Reviews

Based on 48 reviews
90%
(43)
8%
(4)
0%
(0)
2%
(1)
0%
(0)
C
Clark Smith
Left feeling disappointed

As a huge fan of Nick shinz and his tone on the JFAC albums, I really wanted to love this. I read all the reviews on here and I’m starting to think most of them are paid or something because it didn’t live up to the hype for me.

I will preface this by saying it does sound decent, the samples are high quality. The articulations, while sometimes difficult and tedious to program, do add nuances that make it very natural.

The cons however, make it difficult to use in a mix. The plugin only really does one thing, and it’s not the JFAC sound, or anything else really. There’s not much variety to the sound and its application is limited. At first I was impressed as it sounds clear and concise but the most important aspect - bass - is lacking all around. The DI and presets can sound clear and concise all they want, but they don’t have any punch or low end in a mix, especially at higher registers. I threw the kitchen sink at it trying every configuration from just the plugin itself to a few other plugins on top of it to ultimately ending with a huge chain of like 7-8 plugins just to get it to play right in a mix and get closer to the sound I was after. Adding some EQ to get it to pop made it sound honky and woofy. Adding distortion to try and get some grit and punch made it almost disappear altogether.

I’m sure the plugin has its uses to some people, but I’m not really one of them. Maybe it’s user error, but I like to think I know what I’m doing after 10+ years. I’ll try and find a use as it’s definitely not the WORST bass plugin out there, and the things that it does well, it does well. I guess I just thought it was going to be more plug and play, as well as more sonically well rounded - and it just isn’t.

If there were a trial period (like there is with almost every virtual instrument nowadays, especially when they use Kontakt) then maybe I would’ve realized it wasn’t for me, and I would’ve been better off with a different library. Unfortunately I’m stuck with it now and it doesn’t quite suit my needs or the sound I’m after. Because of this I’m skeptical to try out other libraries for fear of the same thing.

G
Gavin Crump
Extremely versatile

This bass may be the most versatile one yet. It gels with rhythm tones seamlessly and it has some of the most articulations!

T
Tyler O'Brien
Incredibly Realistic!

So stoked about how this sounds. JFAC bass tones are unmatched and this is scarily accurate. It responds well to dynamics and velocities, and it sounds super beefy through the Neural DSP Parallax and Darkglass. With this being my first SubMission purchase, I'm definitely buying more.

M
Mark Jones
Noice

Love the tone and articulations available, unique instrument with it's own unique sound, great for some certain projects

A
Anonymous
Shinzbass slaps!

Love this virtual instrument. Always wanted a Warwick… now I have the sound at a fraction of the cost!